![]() ![]() It looks grimy when it should and the use of The Who on the soundtrack is emotionally rousing, especially during the inevitable climax. The cinematography and overall sound of SUMMER OF SAM is awesome. True, "Vinny" is the movie's central character, but he has barely a redeeming quality and is a hard-headed product of his environment. The relationship between "Vinny" and "Dionna" (John Leguizamo and Mira Sirvino) is well-done, but over-told. I did not expect a Berkowitz bio at all, however a more focused look at the killer would have proved more effective. Lee continuously rams the sex aspect of the period into our minds and Berkowitz is not seen or known enough. Aside from seeing into a sometimes gripping and stupefying world of violence and flash, the film does go overboard many times. These characters are truly nuts in their vigilante approach to finding the killer. 1977 was the year of Disco's peak, the uprising of British punk rock (represented well by the Adrien Brody character "Ritchie"), and the Yankees were on top of the baseball world. You get a feel for the smells and the language of that time in that place. The characters who populate the neighborhood are funny, sad, and stupid all at the same time. We get to know this locale very well whether we like it or not. SUMMER OF SAM has its good points and its bad points. ![]() The "Son of Sam" himself (played by Michael Badalucco) is placed in the back seat and Lee presents a community and an era for that matter in complete chaos. ![]() Lee steps away from his usual message pictures depicting the differences between blacks and whites and plunges us into the small Italian neighborhood within the largest city in the United States that serial killer David Berkowitz terrorized for months. Spike Lee goes berserk with SUMMER OF SAM, a twisted revisiting of the Son of Sam killings, New York, 1977. ![]()
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